![]() The Third file is with my current Post of ( EQ - Normalize - Compress - Normalize) I ran my macro right after the DE-Ess, so it includes that as well. The second file is with Just the De-Ess plug-in (Settings: Threshold -25.0 dB Frequencies 2500 to 9559 - Everything else was left default) I would normally do this with a noise gate of about -32 dBish. The only thing I did was to silence the breaks. It is not as harsh as my Low Pass Filter. I will have to see how it works on a full podcast before I add it to my post audio macro, but so far I like the subtle effect. Well, I finished looking at the settings and I think I like them. So it can turn acoustic ice picks into normal conversation. DeEsser senses when the SS sounds are in excess and otherwise leaves everything alone. That just makes everything dull, muffled and muddy. You might think you could just use an Equalization curve to do that, but that doesn’t work. That haystack bump between 500 is Essing. If you don’t see it, you can Edit > UNDO and then Edit ReDo to see it again and again. Those are the harsh SS sounds in the clip. If you watch the timeline blue waves as the tool works, you can see tiny blobs of wave here and there vanish. It passes ACX Check just fine but has very serious Essing. ![]() Attached is the Steckler clip mastered according to this…
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